Descent of Inanna
Translation: Diane Wolkstein & Samuel Noah Kramer (1983) (public-domain)
Overview
The Descent of Inanna is one of the most remarkable mythological texts from ancient Mesopotamia — a poetic narrative describing the voluntary journey of Inanna, Queen of Heaven and goddess of love, fertility, and war, into the Great Below, the land of the dead. Written in Sumerian and preserved on clay tablets primarily from the Old Babylonian period (c. 1900-1600 BCE), it records traditions certainly much older than the surviving written form. The text explores death, transformation, cosmic balance, and the necessity of sacrifice through one of antiquity's most vivid mythological narratives.
Inanna, at the height of her power, decides to descend to the realm of her sister Ereshkigal, the Queen of the Underworld. She abandons her temples, her queenly garments, and her divine powers. At each of the seven gates of the underworld she is stripped of one ornament and power by the gatekeeper, entering the Great Below naked and bowed low. Ereshkigal kills her and hangs her body on a hook. The world above mourns the absence of the goddess of love and fertility: no bull mounts the cow, no husband impregnates the wife, nothing grows or reproduces.
Inanna's assistant Ninshubur, following prior instructions, appeals to the gods for help. The god Enki fashions two small sexless beings — the kurgarra and the galatur — from the dirt under his fingernails, gives them the food and water of life, and sends them to the underworld. By empathizing with Ereshkigal's pain, they earn a gift and use it to resurrect Inanna. But the laws of the underworld demand a substitute: she may ascend only if she sends another to take her place. The text ends with Inanna's return and her decision that her husband Dumuzi — who had not mourned her death — will be her substitute, spending half the year in the underworld.
- Jonah 2 (descent to Sheol, three-day death, restoration)
- Ezekiel 8:14 (weeping for Tammuz, the Dumuzi cult)
- Isaiah 14:9-11 (the underworld and its inhabitants)
- 1 Corinthians 15:4 (died and rose on the third day)
- 1 Peter 3:18-20 (descent to the realm of the dead)
- Isaiah 53 (substitutionary suffering)
- Hosea 6:2 (after two days he will revive us; on the third day he will raise us)
The three-day period between Inanna's death in the underworld and her resurrection is one of the oldest literary examples of this motif, predating the New Testament by roughly 1,900 years. While scholars debate any direct connection, the parallel with Christ's three-day death and resurrection has fascinated theologians and mythologists for generations.